6:13 am
March 18, 2010
There is a neat, simple tool used to hold the axe for splitting. Watch for it at 00:45
Also the stop block used to keep the steel from spitting out when they weld it. Two very simple, very effective tools.
[media=Traditional axe making and wooden lodge construction from Sweden]63[/media]
“There are painters who transform the sun into a yellow spot,
but then there are others who, with the help of their art and their intelligence,
transform a yellow spot into the sun.” ~ Pablo Picasso ~
2:19 pm
November 4, 2010
Yeah, I really like that video. Pretty impressive axe work on the log house, too -- at least as far as I'm concerned.
Another thing to note is that the high carbon bit sits below flush in the groove. That leaves little lips that are then hammered over to hold the bit in place while it's brought up to welding heat, and during welding. That's a lot easier than some other approaches. But the mild steel moves faster under the hammer during shaping, so they have to trim the edge back to expose the high carbon once the forging is done.
3:31 pm
March 22, 2010
Nice video... I really like that traditional belt grinder, I assume that is a ancient Norse or maybe viking tool
Whatever you are, be a good one.
Abraham Lincoln
4:34 pm
NWBA Member
November 8, 2010
The Gransfors Bruks company even made a 'Puget Sound' Axe according to Bill Apple. I have one of their forest axes and it's completely top notch. The factory ones, however are not made with the high carbon insert and instead are turned out on large fly presses with multi stage dies. http://www.gransfors.com/htm_e.....index.html
They've been giving sold-out forging courses over there for a few years. The axe-master Lars wrote a very good blacksmithing book last year that I had the priviledge to help translate.
They only remember you when you SCREW UP~!!!
6:39 pm
NWBA Member
July 9, 2010
6:55 pm
NWBA Member
November 8, 2010
7:32 pm
November 4, 2010
8:16 pm
NWBA Member
November 8, 2010
8:52 pm
November 4, 2010
12:38 am
March 18, 2010
Watching this video, and they start out drifting the eye without showing it being punched. Well, I'd bet big money that they punch them in the press shown in the other videos! One of the hardest operations to do by hand and they can do it in a second on the machine. And, what the heck, "no one watching us will know the difference".
“There are painters who transform the sun into a yellow spot,
but then there are others who, with the help of their art and their intelligence,
transform a yellow spot into the sun.” ~ Pablo Picasso ~
1:12 am
August 14, 2010
Grant;4946 wrote: Watching this video, and they start out drifting the eye without showing it being punched. Well, I'd bet big money that they punch them in the press shown in the other videos! One of the hardest operations to do by hand and they can do it in a second on the machine. And, what the heck, "no one watching us will know the difference".
Aha! I was wondering if I missed something there.
Oh, those tricky Swedes. :giggle:
1:21 am
November 4, 2010
4:30 am
March 18, 2010
“There are painters who transform the sun into a yellow spot,
but then there are others who, with the help of their art and their intelligence,
transform a yellow spot into the sun.” ~ Pablo Picasso ~
7:15 am
NWBA Member
July 9, 2010
3:12 am
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3:36 am
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4:14 am
March 18, 2010
5:51 am
March 22, 2010
10:18 pm
August 16, 2010
Cybo;4850 wrote: That's it, Matt. whew- 53$ huh?
I'll step out on a limb and say it's every bit as good as Edge of the Anvil. (No offense Jack!)
I also found it to be a good reference book, and recommend it to our students and other more competent smiths', but with some reservations that I queried with the author.(who did agree with the concerns and said if there was a reprint he would have it amended) I do have some copies of the book, but if someone purchases a copy off myself (currently £20 sterling) I enclose details containing my concerns and amendments which were discussed with the author. The translation was done for the American market, and that may differ from UK English.
My main concerns were concerned with safety, and for those who have a copy I would be pleased to hear from them on their opinion and if the details I noted appear in the book on sale in the US.
My main concerns were
The rear cover, the chart on the lower part is labelled Annealing Colour, this should surely read Tempering Colour.
Reading through, here are some of my other notes with page references given
Page 21 the Master talks of a box that holds a hectolitre (this is a volume of fuel, and for those not familiar with the metric volume system is confusing)
Page 22 talking about tools being within easy reach, “the tongs might hang in a row with their handles up, so you can see what you need” This should read “Jaws up” as illustrated on page 20, it may also be worthwhile to mention cooling these jaws before returning them to the rack.
Page 27 (also in the Glossary page 207) Anvil cutter, is more commonly known as a Hardie this is clarified somewhat with the illustration on Page 28, however, the caption next to the hardie looks more like it is labelled ‘Chisel plate for splitting or cutting’ and the lower picture is labelled ‘Anvil cutter or hardie cutter’
Page 28 The text on this page is also confusing, as at first read it did not seem to make total sense.
The problem is. The columns of print are juxtaposed, switch them around, ie read the right hand column first, then the left, and then continue on to page 29 and they make perfect sense, A printers error in the layout I believe.
There are a few other minor errors, none too drastic, I particularly liked the picture on page 104, titled "The Old Nailmaker", sat using a large tilt hammer, (heck of a nail, or he may just be using it to draw down his stock to size.
and then another potential safety area
Page 202 “On a Sandstone with water, you had the rotation towards you. You had more control over what was happening. All the other rotating machines grind away from you and there’s a reason for that. The piece won’t catch and get away from you, a safety precaution.”
Comment to the author regarding this passage; As far as I am aware all other grinders in the UK and USA also rotate in this direction, (towards you) it is more important to position the piece being worked on so that if it does catch, then it will not come at you, I think this is what you are trying to convey, but I have difficulty with this description in your narrative.
The sandstone wheels turned much slower than the modern machines and there was more danger of the stones disintegrating than the high speed trajectory created if the blade grabbed
After repeated reading of this section, it may be a word missed out at the start of the sentence or something lost in translation, I would suggest a rephrasing along the lines of
ON all modern grinding machines grind with the sparks going away from you, towards the floor or rear of the machine and there’s a reason for that.
Should the piece catch, it will travel away from you, rather than hit you, a safety precaution.”
Page 207 Glossary Anvil Cutter, also known as Hardie, Coke, also is partially burnt coal used for forging
Page 208 Under Punch, Fire pokeris in wrong place
Tempering; Heat treatment where steel is heated to a certain temperature and then let cool slowly
This is more applicable to normalising or annealing, and the description only applies if the process is done in a temperature controlled oven.
Should read something like;
Tempering, removes brittleness whilst retaining hardness, an item is hardened first, then tempered to a desired condition for the item and its use.
Despite these errors, I still find this to be a worthwhile addition to any smiths' library, and the author was happy to have me attach these "clarifications" to the English/British sales. Would like to hear others comments regarding these amendments (The author did approach and ask me for my opinion and any comments I could make abot the book, and he was most concerned about the potential safety issues which apparently had not been previously noted or commented on)
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