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Thread: Mokume Gane acid etch.

  1. Mokume Gane acid etch.

    I am wondering about the process of acid etching a billet of Mokume Gane made using a stack of quarters. I read and followed the article directions in the current issue of the Hammers Blow.

    I have got a very nice looking necklace pendant that I have made and I used the Etchant product from Radio Shack, ferris oxide I think it is.

    I applied some acid using a cotton swab and wiped it off fairly quickly (maybe after thirty seconds or so of rubbing with swab) I then rinsed it off in a baking soda water mixture to stop the reaction. I was fairly happy with the result but I would have liked for the nickel to come out a little shinier.

    My questions are these; How long do I let the acid contact the material? Is it a quick swipe with an acid coated swab, or more of a long soak in a glass dish? How do I get the most contrast between the copper and the nickel?

  2. #2
    No experience with mokume but when I etched damascus the ferric cloride was diluted with water, perhaps 4 water, 1 ferric cloride, it etches slow and you can see it etch, use plastic container.

    rinsed in water using cloth or paper towel to remove dark surface film.

  3. Gene, thanks for the advice. I have been experimenting with different soak times in the acid, and have had some interesting results.

    I fear though that my sons might start to wonder why their piggy banks are missing so many quarters.

    I am always so grateful to be a part of an organization whose members are so willing to help others by sharing information.

  4. #4
    Join Date
    Jun 2010
    Location
    Northern Virginia
    Posts
    90
    When I made quarter mokume a few times in the past, I just sanded it smooth and buffed it out. The color contrast between the metals is enough that an etch isn't necessary. (But I haven't tried an etch -- maybe it's worth the effort.)

    I learned a different welding technique as well. I just find a pair of flat tongs that will close on the top and bottom of the stack, and grab it so that about half protrudes beyond the jaws. I then hold the tongs in the fire until the nickel in the quarters looks like it's about to melt (and probably is). Once it comes up to heat, I rest the exposed part of the stack on the edge of the anvil and tap with a small hammer until it welds. I then take another heat and weld the other side of the stack.

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